Ibrahim Ali Khan is better than he was in Nadaaniyan, but he’s still rough around the edges. There are scenes where he gets it right – especially in the action bits and shots when he leans into that quiet, brooding vibe that don’t ask for much. He shows a bit of vulnerability too, and that helps. But when the role asks for real emotional depth, it feels one-note. Mihir Ahuja does well in a short but impactful role.